Prolific versus Non-Prolific

Some writers are very prolific, and some writers are very good, and these two groups are not the same. Oh sure, there is some overlap—those writers who are both very good and very prolific: Charles Dickens, Anthony Trollope, Stephen King, for example—but in writing, as in most things, quantity does not necessarily equal quality. There are other writers who are/were very good but not very prolific. John Kennedy Toole, whose A Confederacy of Dunces is one of my favorite books, is a good example. His only other known book was The Neon Bible, written when he was just 16. It’s a remarkable book for a 16-year old author, but that is its only claim to fame. The other famous example of a good-but-hardly-prolific author is Harper Lee. Like Toole, she won a Pulitzer, and like Toole, she is known for just one book: the brilliant To Kill a Mockingbird. Her only other book, Go Set a Watchman is basically a first draft of Mockingbird. As such, it is interesting to read, but only as an historical oddity. It’s not very good.

As a songwriter, I have not written anything of note (See what I did there? Songwriter – “note?” Clever, huh?) in years, but during my prolific period, I was…well…prolific. I wrote a TON of songs, and most of them have one thing in common: They are very, very bad. There are a few that I’m proud of, and a few that I enjoy on a personal level for various reasons, but you won’t be hearing any of them on the radio any time soon. (Actually, does anyone hear anything other than angry right-wing chatter on the radio these days?)

As a blogger, I have been very un-prolific lately. I’ve been in a rather weird head-space, but then that describes nearly everyone in this time of COVID-Climate-Protest-Political crises, so I can’t very well use that as an excuse. I can, however, use it as the topic of a blog post on Prolific versus Non-Prolific.

This has been that post.

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Barefoot Voosk

Shrdlu shrdlu shrdlu

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