In the early 2000s, I went through a spell of making all sorts of strange art. It began with simply making footprints with milkpaint, my feet, and found boards. (Really. My first creations were made using wood rescued from a discarded pallet.) I put together a collection called Art by the Foot and an accompanying exhibit called “Barefoot in the City.” As unlikely as it seems, I even sold a few pieces. From there, I did some more experimenting with milk paint, and eventually added markers on paper to my media. When I found I’d exhausted my limited drawing ability, I turned to digital art. This piece, Impossible Party, is an example. It’s a mix of marker, colored pencil, and milkpaint footprints, all collaged together on a Mac in Photoshop.
I still enjoy tinkering around with making my own art, often again in the digital realm, but now using Gimp, which is similar to Photoshop in its capabilities but FREE! (https://www.gimp.org/). More than making my own art, however, I still love art in general. My own skill as a visual artist is so minimal as to be frustrating, but I can really nerd-out on other people’s art, and getting into deep philosophical discussion about the meaning of art. What is it? How do we measure its worth? (“Just by the pleasure it gives here on earth?” Thank you, Burl Ives and Johnny Marks!)
Curator/author Sarah Urist Green is fond of saying a person should not let a lack technical skill prevent them from making art. In addition to her YouTube channel, “The Art Assignment“, she has recently published a book called You Are An Artist: Assignments To Spark Creation that offers encouragement to the inner artist of even the most inept of us. I also recommend The Art Spirit by Robert Henri. (This was apparently Keith Haring’s bible.) My favorite art-related how-to book is Paul Fata’s 101 Rules for the Starving Artist. This one might be difficult if not impossible to find, because I’m not sure if it was ever published as anything more than hand-made copies.